ANDREW CHAMBERS.
OFFLINE EDITOR | FIRST ASSISTANT EDITOR
Editors Reel.
A showcase of projects edited by Andrew Chambers, spanning a diverse range of formats, genres and storytelling styles.
Featured projects include The Three Moons of Biyangdo, Devil Dogs, Food Ink: The World’s First 3D Printed Restaurant, Nureyev: Lifting the Curtain, Matchbox TV Premieres, Hitler’s Atlantic Wall, Shot Yourself in the Foot Again – Skream & Example, Chai Wallah’s Festival Highlights, The Woman in the Red Dress and The Affable Devil.
Together, the selection showcases a broad range of editorial work, from factual and documentary storytelling to music-led content, branded promotions, drama and fast-paced digital media.
Factual Reel.
An extended showreel showcasing a selection of factual and documentary projects edited by Andrew Chambers.
Featured projects include Hitler’s Atlantic Wall, Reunion, Devil Dogs and The Three Moons of Biyangdo, highlighting a varied body of editorial work across different subjects, tones and storytelling styles.
First Assistant Editor Reel
(High End Drama)
A short showreel showcasing drama productions Andrew Chambers has worked on as a First Assistant Editor, highlighting experience across both feature film and high-end television production.
The role involved a range of editorial and post-production responsibilities, including assembly editing, sound design, turnovers, edit preparation and supporting the wider editorial team throughout the post-production process.
Featured productions include How to Date Billy Walsh, a feature film for Amazon Studios; The Nevers (Series 1B) for HBO; and The Gentlemen (Series 1, Episode 8) for Netflix.
About Andrew
Andrew Chambers is a UK-based Offline Editor and First Assistant Editor with over 15 years’ experience in post-production. He has worked across factual and documentary, drama, entertainment, promotional content and corporate projects.
His background working with post houses, production companies and agencies has given him a strong understanding of the creative and technical demands of post-production, from shaping stories in the edit to working within complex broadcast workflows.
Andrew is available for freelance and remote work, and is always happy to hear about new projects and collaborations.